Skylines: what read straight to my heart, suspending reality in the most immersive of ways


Skylines: what read straight to my heart, suspending reality in the most immersive of ways

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The first time I ever attended a read-through was in the Corpus Playroom, an intimate theatre venue in the heart of my university town, Cambridge. Skylines was undoubtedly different to a staged play. I found myself struck by the novelty of being part of something, not quite so private, but not public either. A myriad of themes was thrown at us, the audience, in the most limbo-esque of atmospheres: inter-war London. Skylines exuded curiosity, whether it was about living life suspended in the indoor verticality of skylines or traversing the city horizontally in the multilinear tunnel that is the underground.

The play maps the central characters’ attempts, Archie and Lily’s, to come to terms with their newly vertical lives, having moved into one of the city's first 'skyscrapers'. Mr Cayder (a construction worker) and Ivy are, instead, the pivotal figures of interaction for Archie and Lily respectively.

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