For native Costa Ricans, the phrase “Pura Vida” is loosely translated to “living life to the fullest” in English. However, Costa Ricans with African ancestry have been subjected to a far darker experience because of their hidden history, advocates say.
For more than a century, the Afro-Costa Rican population has been subjected to racist policies and misunderstandings that have molded conflicts amongst other natives.
For one, most native Costa Ricans — also known as “Ticos” — didn’t know there was slavery in the Central American country from 1502 to 1824. Costa Rica had its unique form of slavery because there wasn’t a viable crop plantation system, according to The Tico Times. Many slaves were forced to serve as domestic servants alongside Spanish colonists in Cartago; until a short boost in cacao production, which corresponded with the largest migration of slaves between 1690 and 1740.
After Costa Rica abolished slavery in 1824, Afro-Costa Ricans faced a long battle for recognition, such as receiving equal rights as other non-Black native Costa Ricans, (who are better known as “Ticos”), according to the African American Registry.
“We have been pushed to re-educate ourselves as a people. We have been pushed to seek information [about us] internationally. We have also been pushed to learn about ourselves,” said Marget Simpson, an Afro-Costa Rican librarian in Limon. Limon is home to the largest population of Afro-Costa Ricans and the second most impoverished province in the country.
The Black Madonna
The Black Madonna, commonly known as “La Negrita”, is Costa Rica's most cherished holy relic and is housed in one of Central America's most famous churches, The Basilica of Los Angeles (Basílica de Nuestra Señora de Los Ángeles). On 2 August of every year, many Costa Ricans travel to the church to honor the country’s patron saint in a celebration called “The Feast of Our Lady of the Angels” (La Fiesta de Nuestra Señora de Los Ángeles).
According to Costa Rican folklore, the Black Madonna statue was discovered by a Costa Rican girl in 1635. While looking for firewood, she saw a black rock shaped like a doll that was sitting on top of a stone. An image of a woman and child was engraved on it. Upon finding the statue, she took it home, and when she awoke the next morning, it vanished. When the girl returned to the stone, there was the statue. This happened three times. The girl even told a local priest, and when he tried to take the statue home, the same disappearance and return of the object to the stone happened to him. It was decided by the Catholic church that the Black Madonna would have her own sanctuary and to this day, the statue is preserved in the Basilica.
Most people know this version of the story. However, I spoke to Natasha Gordon-Chipembere, author of “Finding La Negrita”, who went through five years of research on the Black Madonna and revealed its origins during slavery.
“It was a free Black woman who found the small black stone icon carving of the Madonna and Child in the forest outside of colonial Cartago in 1635,” Gordon-Chipembere said during our interview in October 2022.
After receiving a grant to research slavery at the Costa Rican National Archives, Gordon-Chipembere learned that Costa Rica had at least 200 years of slavery, including enslaved and free communities in Nicoya, Matina, and Cartago. Due to the lack of information and erasure of the Afro-community, Gordon-Chipembere rewrote Costa Rica’s Black Madonna narrative.
“I felt there was a gap. People didn’t know there had been actual Black people in Costa Rica, enslaved and free for over 200 years. That’s what this book is about, putting that information on the map. I wanted this book to be deeply historically accurate,” said Gordon-Chipembere.
“Finding La Negrita” is a historical fiction novel that delivers vivid imagery of slavery in Costa Rica, which includes the reality that most Spaniards could not afford to keep slaves while struggling to sustain their own livelihoods. This eventually led to many enslaved Africans getting released, provided the opportunity to buy their freedom, or to live independently on cacao plantations, according to The Tico Times.
When Costa Rica gained its independence from Spain in 1821, the native white Costa Ricans took the Black Madonna out of the free Black community and turned her into a national symbol of the country, Gordon-Chipembere said.
“This movement was part of the ‘whitening’ process of the Black Madonna and the erasure of Afro-descendant spiritual practices in nation-making,” according to an interview Gordon-Chipembere did with Black Agenda Report in November.
A Fight for Equality
Born in New York to a Costa Rican mom and Panamanian dad, Gordon-Chipembere was curious about Afro-Costa Ricans who had been born and raised in Costa Rica. Gordon-Chipembere’s mother went to the University of Costa Rica and told her that she did not learn about slavery or the legacy of her African descendants. An overall goal Gordon-Chipembere had for her historical fiction novel is for readers to understand Afro-Costa Rican perspectives, stories, and voices.
“If you can walk away with the human aspect of Afro-descendants, even with the backdrop of enslavement, you can take away that these characters were full human potential; and people who had hopes and dreams, just like anyone else,” said Gordon-Chipembere.
Pamela Cunningham-Chacón, like Gordon-Chipembere, noticed that there’s very little documentation of the Black experience in Costa Rica. Cunningham-Chacón took her 20 years of advocacy in Afro rights and feminism to create Costa Rica Afro, an Afro-feminist and anti-racist advocacy organization that focuses on Afro-Costa Rican causes.
“For a moment, I was really focused on feminism issues, but I didn’t feel my Blackness was recognized there. Then, I also worked in Afro-centered circles, but I didn’t see my womanness recognized there,” said Cunningham-Chacón during our interview.
Cunningham-Chacón said that about 10 years ago, there was a yearning for this information from other Costa Ricans and that’s what ignited her campaign for equality.
Mostly led by her sister and a small group of friends, some of Costa Rica Afro’s goals are to bring awareness and advocate for the economic, political, social, and cultural contributions of the Afro-descendant population. According to their Facebook profile, they also offer support, with an Afro-feminist perspective, to other advocacy groups who share similar interests.
“There has been a lot of work to talk about how we [the people of Costa Rica] are one community,” said Cunningham-Chacón. “That has led to the invisibility of the Afro communities, Indigenous communities, women, LGBT+, and so on and so forth.”
Costa Rica Afro’s fight for equality was recognition first, while access to basic-level necessities followed after. Afro-Costa Ricans are one of the communities with less access to formal jobs and healthcare, said Cunningham-Chacón.
According to Minority Rights Group International, employment possibilities for Afro-Costa Ricans are limited, due to economic and racial discrimination. Those who have secondary education may be able to get work at refineries or harbor ports, although job opportunities are offered by those with an unconscious bias towards Afro-Costa Ricans and companies with a history of systemic racism, Cunningham-Chacón said. However, some choose economic migration to the United States, or work on tourist boats to send money back to their families.
“Although we are equal by law, we are not equal in our ability to have the Costa Rican experience the state and government have to offer. So, talking and confronting those things and urging the government and the state to create public policy has been part of the fight,” Cunningham-Chacón said.
During the last session in the Costa Rica Congress, her organization was slated to participate in a project that would implement affirmative action in education, health, and labor practices for Afro-Costa Ricans, said Cunningham-Chacón. The project has not been put into law since the election of a new president, Rodrigo Chaves Robles, in February 2022.
Photo Credit: Tcfc2349/Wikicommons
Edited by: Anwen Venn
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